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    <lastmod>2026-02-03</lastmod>
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      <image:title>Art Press - My Contribution to frieze's "25 Best Works of the 21st Century" - Make it stand out</image:title>
      <image:caption>Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy: Dia Art Foundation; photograph: Romain Lopez</image:caption>
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      <image:title>Art Press - Peter Fillingham’s Vaudeville - Make it stand out</image:title>
      <image:caption>Peter Fillingham, 8s, Helter Skelter, 2025, MDF, wood, steel rod, satin, acrylic sheet, nails, paint. Photo: Rebecca Fanuele. Courtesy the artist and Marian Goodman Gallery, New York, Paris &amp; Los Angeles</image:caption>
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    <lastmod>2026-02-03</lastmod>
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      <image:title>Art Press - Vija Celmins’s Retrospective Is Spectacularly Subdued - Make it stand out</image:title>
      <image:caption>Vija Celmins: Clouds, 1968. ©Vija Celmins, Courtesy Matthew Marks Gallery</image:caption>
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    <lastmod>2026-02-03</lastmod>
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      <image:title>Art Press - Bernice Mulenga Photographs Black Queer Nightlife - Make it stand out</image:title>
      <image:caption>Bernice Mulenga, Drift, 2025, cyanotype on canvas on fabric. Courtesy: the artist and Goswell Road, Paris</image:caption>
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    <lastmod>2025-06-26</lastmod>
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      <image:title>Art Press - Libasse Ka’s Abstractions Channel Chaos and Calm - Make it stand out</image:title>
      <image:caption>Libasse Ka: Untitled, 2023 (left), and Untitled, 2024 (right). Photo Damian Griffiths/©Libasse Ka/Courtesy Carlos/Ishikawa, London</image:caption>
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    <lastmod>2025-06-26</lastmod>
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      <image:title>Art Press - Marseille : Ascents and Descents - Make it stand out</image:title>
      <image:caption>Detail of stairs at Saint-Charles train station, 2025. Image commissioned for frieze. Photograph: Francois Ollivier</image:caption>
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      <image:title>Art Press - Marseille : Ascents and Descents - Make it stand out</image:title>
      <image:caption>A skateboarding event at La Friche Belle de Mai, a hybrid space located in La Belle de Mai, 2025. Image commissioned for frieze. Courtesy: © Friche la Belle de Mai; photograph: Francois Ollivier</image:caption>
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      <image:title>Art Press - Marseille : Ascents and Descents - Make it stand out</image:title>
      <image:caption>Unité d’Habitation, designed by Le Corbusier, Boulevard Michelet, 2025. Courtesy: © F.L.C. / ADAGP, Paris and DACS, London 2025; photograph: Francois Ollivier</image:caption>
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    <lastmod>2025-05-19</lastmod>
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      <image:title>Art Press - A Chaos-Monde of Black Masterpieces - Make it stand out</image:title>
      <image:caption>Demas Nwoko, Senegalese Woman, 1970, oil on panel, 91 × 61 cm. Photo: kó, Lagos, Nigeria. © the artist. Courtesy of New Culture foundation. All rights reserved</image:caption>
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    <lastmod>2026-02-03</lastmod>
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      <image:title>Art Press - Les revues d’art face à l’Histoire - Make it stand out</image:title>
      <image:caption>ArtAsiaPacific, vol 1, n°1, mars 1993 © Courtesy of ArtAsiaPacific.</image:caption>
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    <lastmod>2025-05-09</lastmod>
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      <image:title>Art Press - A Polite Parisian Exhibition Sanitizes Artemesia Gentileschi’s Proto-Feminist Rage - Make it stand out</image:title>
      <image:caption>Artemisia Gentileschi: Jael and Sisera, 1620. Photo Museum Of Fine Arts Budapest.</image:caption>
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  <url>
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    <lastmod>2025-01-31</lastmod>
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      <image:title>Art Press - Oliver Beer Resonance Project: The Cave - Make it stand out</image:title>
      <image:caption>Exhibition view of Oliver Beer in 'Resonance Project: The Cave', 21 Sept 2024 - 5 Jan 2025, Lyon Biennale © Oliver Beer - Photo: Oliver Beer Studio</image:caption>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2024-10-20</lastmod>
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      <image:title>Art Press - A Monumental Arte Povera Survey in a Parisian Palace of Wealth Sidesteps Anti-Capitalist Critiques - Make it stand out</image:title>
      <image:caption>Mario Merz: Che fare?, 1968.Photo Nicolas Brasseur. Courtesy Pinault Collection</image:caption>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/the-17th-lyon-biennale-gets-personal</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-16</lastmod>
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      <image:title>Art Press - The 17th Lyon Biennale Gets Personal - Make it stand out</image:title>
      <image:caption>Gözde İlkin, The Majority of Accent (detail), 2018–2024, painting on textile, embroidery and seeds on printed fabric, 4.8 × 2.9 m. Courtesy: the artist</image:caption>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/myriam-mihindou-ft</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-16</lastmod>
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      <image:title>Art Press - French-Gabonese artist Myriam Mihindou intertwines the personal and the political - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/2024/07/12/paris-gallery-weekend-marks-a-decade-of-progress</loc>
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    <priority>0.5</priority>
    <lastmod>2024-09-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/f28da419-95f3-48aa-954f-456e577978fb/4eba405cd67afb183945c02fe8b7feec04f5aed0-2394x1596.gif+copy.jpg</image:loc>
      <image:title>Art Press - Paris Gallery Weekend marks a decade of progress - Make it stand out</image:title>
      <image:caption>Paris Gallery Weekend was structured around seven walks that featured more than 100 participating commercial galleries and non-commercial institutions. Photo: Francesca Avanzinelli</image:caption>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/arthur-simms-chair-with-my-hair-2024-review</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/b72f52b2-07df-4b44-aa5d-c08498528f64/arthur-simms-chair-with-my-hair-mi.jpg</image:loc>
      <image:title>Art Press - Arthur Simms Builds a Web of Cultural Identity - Make it stand out</image:title>
      <image:caption>Arthur Simms, ‘Arthur Simms: Chair with my Hair’, 2024, installation view. Courtesy: LOK – Kunstmuseum St. Gallen, Switzerland</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/76b8648f-be76-4f78-b109-27c8d3cabef1/arthur-simms-chair-with-my-hair-1.jpg</image:loc>
      <image:title>Art Press - Arthur Simms Builds a Web of Cultural Identity - Make it stand out</image:title>
      <image:caption>Arthur Simms, Chair with my Hair, 2024, artist's hair, chair, glue, stones, cans, toys, wood, wire, rope, strap and light bulb, 2.3 × 1.2 × 1.8 m. Courtesy: LOK – Kunstmuseum St. Gallen, Switzerland</image:caption>
    </image:image>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/mujer-mujer-mujer-2024-review</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/d9f7be56-0570-43a6-9512-be28eb898fb4/regina-jos%C3%A9-galindo-la-sombra-TN.jpg</image:loc>
      <image:title>Art Press - An Exhibition in Paris Confronts the Brutalization of Women - Make it stand out</image:title>
      <image:caption>Regina José Galindo, La Sombra (The Shadow, 2017), lambda print on dibond, 100 × 150 cm. Courtesy: the artist and Galerie Alberta Pane; photography: Mami Kiyoshi</image:caption>
    </image:image>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/ali-cherri-profile-239</loc>
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    <priority>0.5</priority>
    <lastmod>2023-11-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/8951e6c5-3b06-4562-bd77-3bda6c126747/ali-cherri-the-dam-2022_0.png</image:loc>
      <image:title>Art Press - Ali Cherri Challenges the Western Gaze - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/fa53b448-bbfb-408f-9dc6-9da77d0a535d/boris-camaca-ali-cherri-studio2_0.png</image:loc>
      <image:title>Art Press - Ali Cherri Challenges the Western Gaze - Make it stand out</image:title>
      <image:caption>Ali Cherri’s studio; photograph: Boris Camaca</image:caption>
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  </url>
  <url>
    <loc>https://www.wilsontarbox.com/artpress/lili-reynau-dewar</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-19</lastmod>
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      <image:title>Art Press - Artist Lili Reynaud-Dewar: ‘I think we attribute too much power to art’ - Make it stand out</image:title>
      <image:caption>Lili Reynaud-Dewar photographed for the FT at the Palais de Tokyo by Edouard Jacquinet</image:caption>
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      <image:title>Art Press - Artist Lili Reynaud-Dewar: ‘I think we attribute too much power to art’ - Make it stand out</image:title>
      <image:caption>A still from part 1, episode 2, of ‘Gruppo Petrolio’ © Gruppo Petrolio</image:caption>
    </image:image>
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  <url>
    <loc>https://www.wilsontarbox.com/artpress/le-chef-duvre-du-moment-zero-to-infinity-de-rasheed-araeen</loc>
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    <priority>0.5</priority>
    <lastmod>2023-08-28</lastmod>
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      <image:title>Art Press - LE CHEF-D’ŒUVRE DU MOMENT : “ZERO TO INFINITY” DE RASHEED ARAEEN - Make it stand out</image:title>
      <image:caption>Rasheed Araeen, Zero to Infinity (détail), 1968, vue de l’exposition à la Tate Modern, Londres, 2023, à l’occasion du vernissage, Ph. Wilson Tarbox.</image:caption>
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    <image:image>
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      <image:title>Art Press - LE CHEF-D’ŒUVRE DU MOMENT : “ZERO TO INFINITY” DE RASHEED ARAEEN - Make it stand out</image:title>
      <image:caption>Rasheed Araeen, Zero to Infinity à la Tate Modern, 2023, dans le cadre d’UNIQLO Tate Play, Ph. © Tate (Lucy Green)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/cfd49584-2d51-4dfd-8e2a-05683a69c3f0/1.-UNIQLO-Tate-Play-Rasheed-Araeen-Zero-to-Infinity-Installation-View-at-Tate-Modern-2023.-Photo-%C2%A9-Tate-Lucy-Dawkins-1365x2048.jpg</image:loc>
      <image:title>Art Press - LE CHEF-D’ŒUVRE DU MOMENT : “ZERO TO INFINITY” DE RASHEED ARAEEN - Make it stand out</image:title>
      <image:caption>Rasheed Araeen, Zero to Infinity, vue de l’installation à la Tate Modern, 2023, dans le cadre d’UNIQLO Tate Play, Ph. © Tate (Lucy Dawkins)</image:caption>
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  </url>
  <url>
    <loc>https://www.wilsontarbox.com/artpress/vojtech-kovarik-labours-hercules-2023-review</loc>
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    <priority>0.5</priority>
    <lastmod>2023-05-29</lastmod>
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      <image:title>Art Press - Vojtěch Kovařík Portrays a Forlorn Hero - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/d2ad9e9b-c055-433b-abd7-855ff61b330c/Kova%C5%99%C3%ADk-frieze.png</image:loc>
      <image:title>Art Press - Vojtěch Kovařík Portrays a Forlorn Hero - Make it stand out</image:title>
      <image:caption>Vojtěch Kovařík, (Portrait of) Hercules with his head in his hand, 2023, exhibition view. Courtesy: the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.wilsontarbox.com/artpress/at-art-brussels-2023-emerging-artists-and-rediscovered-masters-shine</loc>
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    <priority>0.5</priority>
    <lastmod>2023-05-29</lastmod>
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      <image:title>Art Press - At Art Brussels 2023, Emerging Artists and Rediscovered Masters Shine - Make it stand out</image:title>
      <image:caption>Installation view of Division of Labour and TJ Boulting’s booth at Art Brussels, 2023. Courtesy of Division of Labour and TJ Boulting.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf1e8265227862716fe8d1/dfb92c57-21ae-4cc6-b5da-2e86b1063cee/brussels2.jpg</image:loc>
      <image:title>Art Press - At Art Brussels 2023, Emerging Artists and Rediscovered Masters Shine - Make it stand out</image:title>
      <image:caption>Marcin Dudek, The Union, 2023, Harlan Levey Projects.</image:caption>
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      <image:caption>Maxwell Alexandre, installation view of “New Power” at Palais de Tokyo, 2021. Photo by Aurélien Mole. Courtesy of the artist and Palais de Tokyo, Paris.</image:caption>
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      <image:caption>Exterior view of the Grand Palais Éphémère. ©Patrick Tourneboeuf - Tendance Floue / Patrick Tourneboeuf</image:caption>
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      <image:caption>Lamia Joreige, Uncertain Times, Fayçal, 2021. Courtesy of the artist and Marfa' Projects</image:caption>
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      <image:caption>Vue de l’exposition Napoléon à La Villette (14). Sculpture de Vincenzo Vela, Les Derniers Moments de Napoléon Ier à Sainte-Hélène, 1866. © RMN – Grand Palais, 2021.</image:caption>
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